DI: What is the main principle, idea and inspiration behind your design?
MK : The core idea behind the Jonde Book Cover Bag was to create a wearable reading experience for book lovers. The initial inspiration came from observing people reading on cruise ship decks. I wanted to design something that allows readers to carry their favorite books gracefully without bending the corners, while also incorporating functionality—such as card and coin storage—into a piece with minimalist aesthetics.
DI: What has been your main focus in designing this work? Especially what did you want to achieve?
MK : My primary focus was usability in everyday life. I wanted to create a design that not only protects books securely and is easy to carry, but also offers practical value beyond visual appeal. In particular, I aimed to enrich quiet moments of reading—whether during a commute or while traveling—by offering a companion item that supports that experience.
DI: What are your future plans for this award winning design?
MK : The Jonde Book Cover Bag is currently being introduced in selected markets across Europe. Our aim is to reach niche audiences who appreciate slow living and sustainable design. In the future, I hope to collaborate with literary festivals and book fairs to promote the concept of a "wearable reading experience" and engage directly with the reading community.
DI: How long did it take you to design this particular concept?
MK : The initial idea came together in just a few days, but it took around six months of prototyping and material research, followed by another twelve months of refining the design. Since I was working with a new material—apple leather—it took additional time to understand its properties and limitations.
DI: Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?
MK : This was a self-initiated project born from a personal need. I had long felt it was difficult to carry my favorite books without damaging them. Since nothing like this existed on the market, I decided to create what I had always wanted myself. In Japan, bookstores often provide paper book covers when purchasing a book, but I began to question the sustainability of using disposable paper each time. Fabric covers, on the other hand, come in varying sizes, which often means buying new ones for different books. I wanted to solve this problem with a more practical and eco-conscious solution.
DI: Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself?
MK : At the moment, I produce and distribute the Jonde Book Cover Bag independently through my own brand. I prefer to maintain full creative and ethical control, especially because sustainability is a core value of the project. However, I remain open to potential collaborations or licensing opportunities with partners who share the same values.
DI: What made you design this particular type of work?
MK : I’ve always been passionate about both reading and design. I saw an opportunity to merge the two by solving a personal pain point. I wanted to create something that doesn’t just hold a book but enhances the entire reading ritual—making it more mobile, elegant, and aligned with sustainable living.
DI: Where there any other designs and/or designers that helped the influence the design of your work?
MK : There were no specific designers or existing works that directly influenced this project. Instead, the process began with a search for sustainable materials. Once I discovered apple leather—a material that perfectly matched my values and design goals—the concept began to take shape around it. In that sense, the material itself was the inspiration and starting point for the design.
DI: Who is the target customer for his design?
MK : The target audience includes book lovers, travelers, and professionals who value both aesthetics and sustainability. I aim to appeal to anyone who enjoys mindful living and wants to carry their books with care and style.
DI: What sets this design apart from other similar or resembling concepts?
MK : What sets the Jonde Book Cover Bag apart is its hybrid nature—it’s not just a book cover, nor merely a bag. It is a wearable reading experience, combining practical features like card slots and coin storage with thoughtful design tailored to book dimensions. Its use of apple leather also reinforces its uniqueness in both material and message.
DI: How did you come up with the name for this design? What does it mean?
MK : The name “Jonde” may look abstract at first, but when pronounced with a German accent, it sounds like “読んで (yon-de)” in Japanese, which means “Please read!” This playful cross-lingual coincidence perfectly captures the spirit of the product—an invitation to carry and enjoy books wherever you go.
DI: Which design tools did you use when you were working on this project?
MK : I designed the Jonde Book Cover Bag entirely by hand. Sketching by hand allows me to think intuitively and directly connect with the tactile experience I want to deliver. The shapes and proportions were developed through manual iteration and real-world testing.
DI: What is the most unique aspect of your design?
MK : The most unique aspect is that it transforms a book cover into a wearable, functional accessory without compromising its original purpose. It blends multiple roles—book cover, wallet, pouch, and bag—into one harmonious item. Its form respects the proportions of real books, and the use of apple leather adds both a sustainable message and a distinct texture.
DI: Who did you collaborate with for this design? Did you work with people with technical / specialized skills?
MK : I collaborated closely with skilled leather craftsmen and patternmakers to bring the concept to life. Their expertise was essential in working with apple leather, which behaves differently from traditional materials. I also consulted with sustainability advisors to ensure that the production aligned with eco-conscious values.
DI: What is the role of technology in this particular design?
MK : Technology played a subtle but important role in material selection and development. The use of apple leather—an innovative and sustainable material made from apple waste—is a result of technological advancement in material science. Although the design process itself was mostly analog, the product embodies a modern blend of craftsmanship and eco-innovation.
DI: Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design?
MK : The design was shaped more by ethnographic observation and real-world feedback than by statistical data. In 2022, I exhibited an early prototype at the Frankfurt Book Fair, where I received valuable input from a diverse group of visitors, including book lovers, publishers, and designers. Their feedback helped me refine the usability, proportions, and material details of the bag. I also observed how people carry books in daily life and gathered insights from common frustrations such as bent corners and lack of storage.
DI: What are some of the challenges you faced during the design/realization of your concept?
MK : One major challenge was working with apple leather, which behaves differently from traditional animal leather. It required experimenting with stitching, edge finishing, and structural reinforcement. Another challenge was ensuring the design could accommodate both softcover and hardcover books without compromising usability or elegance.
DI: How did you decide to submit your design to an international design competition?
MK : I wanted to test the value of my idea on a global stage and connect with an international audience that shares an appreciation for thoughtful design. A' Design Award stood out to me as a platform that recognizes both innovation and craftsmanship, and I believed it would be a meaningful opportunity to share the story behind the product.
DI: What did you learn or how did you improve yourself during the designing of this work?
MK : This project taught me the importance of patience and material sensitivity. I learned how deeply design and ethics can be connected—especially when working with sustainable materials. I also realized that small design decisions can greatly affect emotional resonance and user experience, which will guide my work going forward.
DI: Any other things you would like to cover that have not been covered in these questions?
MK : What I’d like to emphasize is that this design is not just about carrying books—it’s about valuing quiet moments in our increasingly noisy lives. I believe design has the power to shape habits, and I hope this piece invites people to slow down, disconnect from distractions, and reconnect with themselves through reading.