DI: What is the main principle, idea and inspiration behind your design?
TL : The design is inspired by natural crystal formations and the emotional clarity they represent—sharp, quiet, and reflective.
DI: What has been your main focus in designing this work? Especially what did you want to achieve?
TL : My goal was to create a sculptural object that captures light in a way that evokes stillness and introspection.
DI: What are your future plans for this award winning design?
TL : I plan to expand it into a small collection with different sizes and finishes, and explore limited-edition production or gallery showcases.
DI: How long did it take you to design this particular concept?
TL : From ideation to 3D-printed prototype, it took approximately a year.
DI: Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?
TL : It was self-initiated, driven by my interest in how folded geometry and translucency can express emotion.
DI: Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself?
TL : I intend to produce a small batch myself and am open to licensing or collaboration with brands.
DI: What made you design this particular type of work?
TL : I wanted to create a personal object that blends minimalist design with poetic form—something that’s quiet but speaks.
DI: Where there any other designs and/or designers that helped the influence the design of your work?
TL : Yes, I was influenced by the folds in Issey Miyake’s work and the sensitivity to light in Tokujin Yoshioka’s designs.
DI: Who is the target customer for his design?
TL : Design-conscious individuals who appreciate minimalist, tactile, and emotionally resonant objects.
DI: What sets this design apart from other similar or resembling concepts?
TL : Its precision-crafted folds, made possible by resin 3D printing, create a subtle dance of light and shadow that changes throughout the day.
DI: How did you come up with the name for this design? What does it mean?
TL : “Crystal” reflects both its geometric sharpness and the emotional purity I aimed to express through form and light.
DI: Which design tools did you use when you were working on this project?
TL : I used Rhinoceros for modeling, KeyShot for rendering, and resin-based 3D printing for production.
DI: What is the most unique aspect of your design?
TL : The interplay between the sharply folded geometry and the soft, diffused lighting effect it creates.
DI: Who did you collaborate with for this design? Did you work with people with technical / specialized skills?
TL : This was a solo design project, though I consulted with materials experts on print thickness and finish.
DI: What is the role of technology in this particular design?
TL : Technology—particularly 3D printing—was essential in achieving the crisp details and translucent finish of the design.
DI: Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design?
TL : I conducted visual and material research on light diffusion, crystalline forms, and 3D printability of intricate folds.
DI: What are some of the challenges you faced during the design/realization of your concept?
TL : Ensuring the delicate folds were printable without losing structural integrity was a key challenge.
DI: How did you decide to submit your design to an international design competition?
TL : I believed this project had both emotional depth and visual strength, making it a fitting entry for a global audience.
DI: What did you learn or how did you improve yourself during the designing of this work?
TL : I refined my ability to design for both material constraints and emotional impact—combining technology with feeling.
DI: Any other things you would like to cover that have not been covered in these questions?
TL : This project reflects my belief that design can be meditative and meaningful—even in the smallest forms we live with every day.