DI: What is the main principle, idea and inspiration behind your design?
HUC : The design was driven by a desire to reveal the soul of a historic building without overwhelming it. I was inspired by the layers of time, the silence of aged textures, and the timeless elegance hidden beneath decay. The main principle was balance—between preservation and renewal, between memory and function.
DI: What has been your main focus in designing this work? Especially what did you want to achieve?
HUC : My focus was to honor the spirit of the original structure while introducing subtle layers of modern elegance. I wanted guests to feel like they are stepping into a space where time slows down and memory is respected—not recreated, but gently revealed.
DI: What are your future plans for this award winning design?
HUC : Since I’m not the owner of the property, I cannot directly shape its future. However, I truly hope that Belmondo Suites continues to offer unique and lasting experiences to its guests for many years. More importantly, I see it as a source of inspiration for future boutique hospitality projects—where design honors history, evokes emotion, and creates a deep sense of place.
DI: How long did it take you to design this particular concept?
HUC : The design process, including research, concept development, and detailing, took approximately 6 months. However, the soul of the project was shaped by years of experience working with historical sites.
DI: Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?
HUC : The project was originally commissioned as a restoration of a historical building for boutique hospitality use. However, the concept grew out of a deeper inspiration—the emotional and spatial memory of the place. While the client provided the function, the soul of the design came from listening to the building itself. It was a collaboration between a clear brief and a personal interpretation of heritage, silence, and spatial storytelling.
DI: Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself?
HUC : The project is already realized and operated by the client. It is a functioning boutique hotel, and all design rights and implementations have been retained by the client with our studio as the design author.
DI: What made you design this particular type of work?
HUC : Designing 30 different room and bathroom concepts, along with two restaurants, a patisserie, and a wine shop—each with its own distinct identity—was a serious creative challenge. I was driven by the urge to create something truly special at this scale, where every space would feel unique, intentional, and emotionally resonant.
DI: Where there any other designs and/or designers that helped the influence the design of your work?
HUC : Rather than being influenced by a specific designer or project, I would say this design is the distilled reflection of my 18 years of experience—finally finding its way onto paper and into space.
DI: Who is the target customer for his design?
HUC : Belmondo Suites is designed for travelers who seek more than accommodation—they seek meaning, atmosphere, and a sense of place. It appeals to design-conscious guests who value authenticity and calm luxury.
DI: What sets this design apart from other similar or resembling concepts?
HUC : It doesn’t imitate history—it converses with it. Belmondo Suites stands apart by its quiet confidence, its textural sensitivity, and its refusal to overstate. It’s not themed—it’s timeless.
DI: How did you come up with the name for this design? What does it mean?
HUC : “Belmondo” means “beautiful world” in Italian. It reflects our desire to create a microcosm of beauty, memory, and light inside the layered fabric of an ancient city.
DI: Which design tools did you use when you were working on this project?
HUC : We used a range of tools across different phases. AutoCAD was essential for technical drawings, while SketchUp and Lumion helped us explore spatial atmosphere and scale. Adobe Photoshop and InDesign supported visual presentation and storytelling.
DI: What is the most unique aspect of your design?
HUC : Instead of creating uniform room types, I designed each space with its own identity—responding to its light, structure, and mood. This approach turned the entire building into a layered experience, where each room tells its own story. It’s not a hotel with repeating rooms, but a collection of unique spatial moments.
DI: Who did you collaborate with for this design? Did you work with people with technical / specialized skills?
HUC : Yes—this project was a collective effort shaped by many skilled hands. I collaborated closely with a restoration architect to ensure historical integrity, and worked with electromechanical consultants for the seamless integration of modern systems. One of the most meaningful aspects was working with master craftspeople—particularly local woodworkers and stone masons. Their craftsmanship added authenticity and depth to the project. Each collaborator contributed a unique layer to the final design.
DI: What is the role of technology in this particular design?
HUC : In a heritage project like Belmondo Suites, technology must be present but never intrusive. We integrated lighting, climate control, and infrastructure systems in a way that supports comfort without disturbing the authenticity of the space. The goal was to let the architecture speak, while technology quietly served it in the background
DI: Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design?
HUC : While the design wasn’t driven by data in a technical sense, it was deeply shaped by observation and contextual research. I studied the historical texture of the old town, traced the spatial rhythms of traditional Ottoman homes, and spent time in the building to understand its light, flow, and silence. This kind of intuitive, place-based research was essential in shaping a design that feels rooted and respectful.
DI: What are some of the challenges you faced during the design/realization of your concept?
HUC : There were multiple layers of challenge throughout the project. Structurally, we faced surprises—unexpected materials hidden under walls, floors, and ceilings that differed from the original plans. Being located in the old town meant strict time constraints and significant logistical issues, especially in terms of material delivery and installation. On top of that, designing 30 uniquely characterized rooms within a limited plan was both a technical and creative challenge. Still, it was one of the most fulfilling design journeys I’ve ever experienced.
DI: How did you decide to submit your design to an international design competition?
HUC : After completing Belmondo Suites, I felt it was more than just a project—it was a narrative, a transformation, and a personal milestone. I wanted to see how this work, rooted in context and emotion, would be received on an international platform. It wasn’t about the award itself, but about seeing if a design built on subtlety, history, and atmosphere could resonate beyond borders.
DI: What did you learn or how did you improve yourself during the designing of this work?
HUC : This project taught me patience, humility, and the value of truly listening to a space. I learned to step back and let the building lead, rather than imposing a design too early. It also deepened my ability to work across disciplines—balancing architecture, interior design, restoration, and storytelling. Above all, I realized how powerful it is to create not just spaces, but emotions.
DI: Any other things you would like to cover that have not been covered in these questions?
HUC : Only this: Belmondo Suites is not just a building—it’s an atmosphere. A quiet invitation to slow down, to reconnect with time, texture, and silence. And if that feeling stays with its guests, then the design has fulfilled its purpose.