DI: What is the main principle, idea and inspiration behind your design?
CT : The word "tranquility" is used to express the theme of the park, and the power, rhythm and momentum of calligraphy are used to flow through the space, presenting the field characteristics of "perseverance, tranquility and transcendence". We use the power, rhythm and momentum of calligraphy written in light ink to shape the space, add color and material texture, and show the combination of context, culture and transcendence into the museum, conveying gentlemanliness, solidity and sustainability.
DI: What has been your main focus in designing this work? Especially what did you want to achieve?
CT : This project, the first presidential library, is dedicated to studying the nation's head of state and their original spatial-temporal context, transforming it into a spatial atmosphere. Through abstract aesthetic expression, it reinterprets the conventional architectural image. Emphasizing authenticity and simplicity in material selection and integrating natural elements such as light and shadow, it creates a poetic ambiance that resonates deeply with people.
DI: What are your future plans for this award winning design?
CT : Share the joy with customers.
DI: How long did it take you to design this particular concept?
CT : Inspired by calligraphy provided by the client.
DI: Where there any other designs and/or designers that helped the influence the design of your work?
CT : Ancient relics, calligraphy exhibitions and art galleries.
DI: How did you come up with the name for this design? What does it mean?
CT : The park is based on President Ching-kuo, who led Taiwan's economic takeoff, and touches on the artistic conception from ancient poems: “Although the ancients are long gone, their exemplary deeds still remain in the world; flipping through the ancient books of sages under the cool eaves, the moral demeanor of the sages jumps out of the paper, like a ray of light shining on my face.”
DI: Which design tools did you use when you were working on this project?
CT : The main building is designed with the core volume of the cultural relics collection space, surrounding exhibition halls, libraries, multimedia rooms, and conference rooms. The lighting connects the lobby, corridors, and café with the landscape. The entire venue incorporates temperature and humidity control, lighting, acoustics, and energy-saving designs, along with healthy building materials, achieving Taiwan's diamond-level green building certification.
DI: What is the most unique aspect of your design?
CT : Incorporating a memory theater that spans from ancient times to the present, the design features a wood-textured ceiling that embodies Eastern aesthetics, while latticed structures symbolize continuity. Set against the profound granite flooring, white walls and column arrays frame the park’s scenic views. The veining of Carrara marble shapes the main landscape wall, while stacked stone blocks represent historical depth. Bronze-like decorative panels further convey cultural sustainability.
DI: Who did you collaborate with for this design? Did you work with people with technical / specialized skills?
CT : This project is jointly sponsored by the Chiang Ching-kuo Foundation and our design department (ID, MEP). The detailed design also includes professional consultants for lighting, sound, video, etc.
DI: What is the role of technology in this particular design?
CT : Changes in time sequence scenes and lighting control, etc.
DI: Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design?
CT : This project aims to create a tranquil space by integrating a museum with global digital libraries focused on Sinology research while incorporating metaphysics. The entrance sets the serene atmosphere, transforming the rhythm of calligraphic strokes into tangible forms and light interplay. This harmonious flow of materials reveals deeper meanings, allowing visitors to experience clarity and expansiveness through contemplation.
DI: How did you decide to submit your design to an international design competition?
CT : Submit your work to the A' Design Award. This award provides an excellent platform to give us more objective encouragement and motivation for continuous improvement.
