DI: What is the main principle, idea and inspiration behind your design?
MR : To design this multifunctional necklace, I was inspired by love, spring, and dance. The main idea was to evoke the essence of these three concepts. This necklace was born from a story I wrote about a ballerina—a story that became a short video and, eventually, this jewelry piece. Hidden within the design is a psychological idea: art has the power to elevate the human spirit and make the world more beautiful. In my story, the art of dancing helps the ballerina begin anew, embrace a fresh spring, reignite the warmth of love, and heal her broken heart. Every color in this design symbolizes spring, the re-blooming of hope, and desire. The flowers are crafted in vibrant hues to capture spring’s freshness and vitality.
DI: What has been your main focus in designing this work? Especially what did you want to achieve?
MR : I focused on several key aspects while designing this necklace. Aesthetics were paramount, but I also wanted to ensure practical usability. This wasn’t meant to be a complex piece—I aimed to create visually unique jewelry that remains comfortable to wear. Additionally, I prioritized multifunctionality, allowing it to transform into various jewelries, reflecting the eco-friendly perspectives.
Through this design, I wanted to embody three themes: spring, love, and ballet. The mechanical movement was especially important—when the ballerina spins, the flower blooms, symbolizing how hope blossoms through dance, and how spring awakens when art comes to life.
DI: What are your future plans for this award winning design?
MR : I might consider it as a collection and design other jewelry pieces for it.
DI: How long did it take you to design this particular concept?
MR : From the initial idea to final manufacture, the process took more than two months. The multifunctional mechanics, and intricate design and enameling of the vast surface made it particularly complex.
DI: Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?
MR : This was not a commissioned piece—it began as a beautiful idea and a meaningful concept. I was deeply inspired by spring and love, and I wanted to create a distinctive piece of jewelry that delights through beauty while carrying spiritual depth.
DI: Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself?
MR : This design is entirely my own, and I produce it myself. I have no plans to sell or lease the production rights to any other party.
DI: What made you design this particular type of work?
MR : The story and idea of this design came to me long ago. I wanted to create jewelry that was both beautiful and functional, with a psychological concept woven in. I dreamed of a design that would symbolize love and hope—so distinctive it would boost confidence, while telling a profound story.
DI: Who is the target customer for his design?
MR : My ideal customer is someone who values not just the material worth of jewelry, but its spiritual and artistic significance. They appreciate the story and craftsmanship behind an artistic piece and understand how to wear it meaningfully. This is a person who distinguishes between mass-produced jewelry and wearable art, choosing pieces for joy and uniqueness, not just investment.
DI: What sets this design apart from other similar or resembling concepts?
MR : This design is truly unique. The enameling technique is entirely innovative , and its mechanical features are expertly designed—it can be worn in six different ways. Aesthetically, it carries an elegance and narrative depth that sets it apart, reflecting the beauty of the story behind its creation.
DI: How did you come up with the name for this design? What does it mean?
MR : Spring Dance tells the story of a heartbroken ballerina who hung up her shoes after being abandoned by her beloved. But when she decides to dance again, the memory of her beloved can no longer chain her to despair—art’s spirit lifted her into a new spring of love. Blossoms of hope flowered in her heart again as she discovered the spiritual love hidden in dance, surviving and thriving. She dances on, merging with spring’s cheerfulness, novelty, and freshness. For her, a new life begins—bursting with desire and aspiration, just like spring itself.
DI: Which design tools did you use when you were working on this project?
MR :
I created my sketch with two methods: first using the classic method, by hand with colored pencils and gouache. I also created the design using Procreate software.
DI: What is the most unique aspect of your design?
MR : Beyond its striking form, the magic lies in its multifunctionality. It transforms into six distinct jewelry pieces: a tiara, two pendants, two necklace , and a ring. The necklace dismantles and reassembles into these new shapes effortlessly. The enameling was extraordinarily complex due to the curves and the vast surface, and the delicate colors and versatility make it perfect for any occasion.
DI: Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design?
MR : Various research were done to craft this necklace. Several initial samples were created to achieve the suitable curve for the desired final shape of the ribbon. It had to be flexible enough to easily transform into a tiara. The intricate connections and fastenings were adjusted numerous times to create a convenient and transformable piece. Various color combinations were studied to achieve the final enameling result. The internal mechanism of the mechanically blooming flower was tested repeatedly to achieve the desired functionality.
DI: What are some of the challenges you faced during the design/realization of your concept?
MR : Designing and crafting each section of this multifunctional necklace required precision to achieve accurate dimensions for a perfect fit. Locks had to be matched to several parts, with dimensional sensitivity of less than a micrometer. For enameling, it was divided into eighty pieces, facing difficulties due to the curves and large size. To maintain the ballerina's spinning mechanism, the ribbon size needed precise calculation. The mechanically blooming flower was crafted in silver several times to achieve a smooth mechanism.
DI: How did you decide to submit your design to an international design competition?
MR : I knew the A' Design Award was one of the world`s largest and prestigious competitions, and I wanted my design to be seen on the global stage.
DI: What did you learn or how did you improve yourself during the designing of this work?
MR : This necklace taught me resilience. I faced many mechanical challenges to achieve a smooth, precise structure that could transform into six different pieces. The enameling alone was a masterclass in precision. But every obstacle gifted me invaluable experiences, and for that, I’m deeply grateful.
DI: Any other things you would like to cover that have not been covered in these questions?
MR : Although the project was difficult, succeeding made it all worth it. New projects bring unexpected challenges. I learned that we might want to give up, but we must hold onto faith and hope. While creating Spring Dance, I felt this too. But I believed in myself, and in the end, that faith birthed a singular work of art.
Finally, I would like to thank the A' Design Award and the jury for awarding me the Platinum and Silver Prizes. I am deeply grateful and hope to contribute more. Being selected as a winner for two of my designs is profoundly meaningful to me.