We had the distinct pleasure to interview award winning designer Nobuaki Miyashita about their original and creative Factory design work. Nobuaki Miyashita is an award-winning architectural designer, that makes our world a better place with their original factory works.
Nobuaki Miyashita ("NM") answered Design Interview ("DI") questions about their award-winning work Aida Sekkei Precut Factory. Interview questions prepared by Frank Scott.
NM : The primary principle behind my design for the AIDA Precut Division was to architecturalize the timber processing itself. The inspiration came from the desire to visualize the simple yet precise process of cutting high-quality laminated wood collected from around the world, embodying the quality of housing through the design of the factory.
NM : My main focus while designing this work was to ensure that the precision of the precut technology translated into the overall aesthetic and functionality of the space. I aimed to create a design that not only facilitates efficient production but also symbolizes the quality of AIDA Design’s housing.
NM : For this award-winning design, my future plans include continuing to refine and adapt the functional aspects of the facility to accommodate advancements in precut technology and sustainable building practices.
NM : The design process for this particular concept took approximately eight months, from initial concept to final plans.
NM : This design was commissioned by AIDA Design as they sought a new factory that would be at the core of their housing quality. I decided to pursue a concept that would reflect the integral nature of their work in timber precutting.
NM : The design is currently being realized by AIDA Design itself. There are no plans to sell or lease the production rights as it is bespoke to their specific operational needs.
NM : I designed this particular type of work to embody the integration of industrial functionality with architectural aesthetics, aiming to create a space that reflects the precision and quality of AIDA Design’s work.
NM : While the concept was primarily my own innovation, I did draw general inspiration from traditional Japanese timber architecture to inform some of the structural decisions.
NM : The target customer for this design is not a consumer in the traditional sense but serves the operational needs of AIDA Design’s precut division and indirectly serves their housing customers by ensuring high-quality building components.
NM : What sets this design apart is its integration of the operational pathways and structural elements into a coherent architectural statement that not only serves practical purposes but also communicates the identity and future vision of AIDA Design.
NM : The name for this design, "AIDA Precut Division," is straightforward—it directly describes its function within the company but also underscores its foundational role in the quality of the housing produced.
NM : I used a variety of design tools, including CAD software for precise architectural planning and 3D modeling tools to visualize and refine the spatial arrangements and structural elements.
NM : The most unique aspect of my design is the method of extracting necessary functional volumes from a massive block, which symbolizes the precision and minimal waste in AIDA Design’s production process.
NM : I collaborated with engineers specializing in wood construction and precut technology to ensure that every aspect of the design was both feasible and functional.
NM : Technology played a critical role in this design, particularly through the use of advanced CAD and simulation tools to optimize the layout and structural integrity of the factory.
NM : Yes, my design was influenced by analytical research, particularly in optimizing the flow of materials and ensuring minimal waste. This involved studying various production processes and layouts that maximize efficiency.
NM : One of the main challenges was integrating the functional requirements of a precut factory with a high aesthetic value that reflects the company’s identity, requiring a balance between form and function.
NM : I decided to submit this design to an international competition to showcase how industrial facilities can be designed with high architectural standards and to bring recognition to the innovations AIDA Design is implementing in the housing industry.
NM : During the design process, I learned to better integrate aesthetic considerations with industrial functionality, which improved my ability to create designs that are both practical and visually compelling.
NM : I believe this interview covers the essential aspects of the design, but I would add that this project represents a significant step in how architectural practices can directly enhance industrial efficiency and environmental sustainability.
