DI: What is the main principle, idea and inspiration behind your design?
NB : This concept is part of a design series that consist an ongoing work in progress regarding street furniture with abstract, primitive forms. This particular design refers to the form of a pithos, an ancient Greek terracotta jar.
DI: What are your future plans for this award winning design?
NB : To publicize it and ideally sell or lease the rights to a company that will eventually produce it.
DI: Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?
NB : It was a pursuit of inspiration. It is a part of an ongoing project which made its first entry for the Pan-Hellenic Street Furniture Competition for the Dodecanese Islands (2018). It’s evolution led to a series of street furniture designs.
DI: Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself?
NB : This design is not being produced or used by another company. My intension and ambition is to collaborate with a company to produce it.
DI: What made you design this particular type of work?
NB : A desire to explore a traditional form, and to reuse it with an analogy to it’s initial properties. An ancient terracotta jar was used for storing food or other things, while a trash can is also a temporary storage space for litter.
DI: Where there any other designs and/or designers that helped the influence the design of your work?
NB : The Spanish company “Escofet” has a great collection of works fabricated with the same material, so I would say that their collection is a loose inspiration.
DI: Who is the target customer for his design?
NB : Companies that could fit this design in their collection.
DI: How did you come up with the name for this design? What does it mean?
NB : “Pithos” (/ˈpɪθɒs/,[1] Greek: πίθος, plural: pithoi πίθοι) is is the Greek name of a large ceramic storage container which is the main inspiration behind this design.
DI: Which design tools did you use when you were working on this project?
NB : Hand drawing for initial sketches of the idea, 3d software for working on the idea and presenting it.
DI: What is the most unique aspect of your design?
NB : The reference to the historic form of a pithos is fairly apparent, though it is not a copy of it. It feels as something familiar, but at the same time it is not. It generates and intrigues a memory.
DI: What is the role of technology in this particular design?
NB : Fiber reinforced cementitious mortar makes the realization of designs like this possible because it has a ceramic quality. It provides high mechanical and aesthetic performance in small thicknesses.
DI: Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design?
NB : I was mostly influenced by ancient Greek vernacular forms, while looking for an appropriate form for a contemporary bin.
DI: What are some of the challenges you faced during the design/realization of your concept?
NB : The biggest challenge was to find an appropriate vernacular form for a contemporary bin and to achieve with it a triggering of a memory recollection and not a mere replication.
DI: How did you decide to submit your design to an international design competition?
NB : Having technical and financial obstacles for its fabrication, I considered submitting “Pithos” as an opportunity to communicate it and publicize it as a 3d visualization. Hopefully that would lead to a collaboration with a company that has the means to produce it.
DI: What did you learn or how did you improve yourself during the designing of this work?
NB : My interest in furniture design grew even further because I realized that I could materialize ideas in an abstract manner, without having to worry so much about the technical and legal aspects of architecture.