DI: What is the main principle, idea and inspiration behind your design?
GS : The Diamond Lace Set was inspired by classical lacework, interpreted through a contemporary lens. My goal was to translate the rhythm and structure of lace into precious metal and diamonds, preserving its delicacy while exploring depth and dimension. The idea was to evoke lightness, movement, and emotion in a way that speaks of both heritage and innovation.
DI: What has been your main focus in designing this work? Especially what did you want to achieve?
GS : My focus was to create a piece that balances intricate beauty with architectural strength. I wanted the wearer to feel elegance, refinement, and individuality. At the same time, I aimed to establish a signature style that could become an identifiable part of my design language
DI: What are your future plans for this award winning design?
GS : The Diamond Lace Set has become a signature within my collection and I plan to expand it into several variations and one-of-a-kind pieces. I also intend to present it to a select group of luxury retailers and galleries where the full story and craftsmanship behind the design can be truly appreciated. This set is already becoming a cornerstone of my brand identity, and I envision future pieces that carry forward its spirit and elegance. Most meaningfully, the set has been accepted into the permanent collection of the MOOD Museum in Como, which reinforces its value not only as fine jewelry but also as a piece of enduring artistic and cultural relevance.
DI: How long did it take you to design this particular concept?
GS : The process took several months from concept to final creation. Much of the time was spent refining the pattern to achieve perfect harmony between the open spaces and the diamond placements.
DI: Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?
GS : This design came from personal inspiration. It was not commissioned. I felt strongly about exploring lace as a sculptural element in fine jewelry, and the idea grew into a full set.
DI: Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself?
GS : I produce this design under my own brand, G&D Unique Designs. The collection is available directly through my channels and select exhibitions.
DI: What made you design this particular type of work?
GS : I have always been fascinated by how jewelry can carry both visual and emotional narratives. Lace offered the perfect structure to explore symbolism, rhythm, and heritage within a modern framework.
DI: Where there any other designs and/or designers that helped the influence the design of your work?
GS : This design was developed entirely from my own vision. I did not receive assistance from other designers or studios. The concept, structure, and details came from my personal exploration and experience. While I draw inspiration from many forms of classical and contemporary art, the Diamond Lace Set was not shaped by any external design influence. It is a deeply personal creation that reflects my artistic identity and technical approach.
DI: Who is the target customer for his design?
GS : Collectors of fine jewelry, high fashion clients, and those who appreciate craftsmanship and symbolic meaning. It is a statement piece meant for gala events, concerts, editorials, or private collections.
DI: What sets this design apart from other similar or resembling concepts?
GS : Its structural rhythm, refined calibration of diamonds, and lace-inspired geometry set it apart. It is not just an ornate piece, but a cohesive composition that balances delicacy with presence.
DI: How did you come up with the name for this design? What does it mean?
GS : The name "Diamond Lace" captures both the material and the motif. It reflects the essence of the design that is a pattern reminiscent of lace, embellished with diamonds.
DI: Which design tools did you use when you were working on this project?
GS : I used MatrixGold and other 3D CAD software to develop the structure. Final refinements were done by hand to ensure the pattern flowed naturally.
DI: What is the most unique aspect of your design?
GS : The most unique aspect of this design is the delicate interplay between open space and the carefully calibrated diamond layout. Each stone is positioned with precision to create a flowing rhythm that echoes the elegance of lace. The diamonds are not only structurally balanced but also artistically expressive. Under light they come alive, sparkling vividly and moving with a brilliance that gives the piece a sense of life. This radiant effect enhances the entire composition, making the jewelry feel soft and luminous, as though it breathes with the surrounding light. It transforms the design into something more than decorative and turns it into a vivid and emotionally engaging experience.
DI: Who did you collaborate with for this design? Did you work with people with technical / specialized skills?
GS : I did not collaborate with anyone for this design. Every aspect of the Diamond Lace Set was created by me personally, from the initial concept to the final modeling and layout. This allowed me to stay connected to every detail and ensure that the final result truly reflected my creative vision and artistic intent.
DI: What is the role of technology in this particular design?
GS : Technology played a crucial role in mapping out the precision of the pattern. It allowed me to preview the weight, structure, and diamond positioning before moving to physical production.
DI: Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design?
GS : The research was largely visual and material-based. I studied historical lace samples, diamond behavior in light, and the limitations of metal casting to push the form to its limits.
DI: What are some of the challenges you faced during the design/realization of your concept?
GS : Calibrating 110 diamonds into a flowing lace-like pattern while maintaining wearability was the biggest challenge. The visual balance had to be exact, and the setting needed to enhance the pattern rather than interrupt it.
DI: How did you decide to submit your design to an international design competition?
GS : I wanted this work to be judged not only as a piece of jewelry, but as a work of design. The A’ Design Award felt like the right platform to present the story and craft behind it.
DI: What did you learn or how did you improve yourself during the designing of this work?
GS : This design taught me to trust my creative instincts more deeply. It reinforced the idea that restraint and structure, when paired with rich materials like diamonds and gold, can lead to something both refined and powerful.
Working with such a delicate pattern required me to adapt my process. The lace-inspired openwork demanded a level of precision and control that is very different from crafting larger, heavier jewelry pieces. I had to move with care and intention at every stage to avoid damaging any of the fine elements. This design pushed me to refine my techniques further and strengthened my patience, discipline, and sensitivity to material behavior during the modeling and production phases.
DI: Any other things you would like to cover that have not been covered in these questions?
GS : The Diamond Lace Set represents my philosophy that jewelry can be timeless, architectural, and emotionally resonant all at once. It bridges heritage and imagination. It is not just a piece to be worn, but a piece to be remembered.