DI: What is the main principle, idea and inspiration behind your design?
AN : Inspiration for this illustrations come from Japanese classic literature “Nanso Satomi Hakkenden”.
This work depicts a scene where the cornered hero fights on the castle Horyukaku.He is desperately climbing on the roof to survive.
This is a popular scene in Kabuki.
The frame is decorated with peonies and plum blossoms, which are important motifs in Hakkenden.
Classical Japanese literature is becoming unfamiliar even to Japanese people, but I have been familiar with it since I was a child.
Classical literature not only from Japan but from all over the world provides a lot of inspiration for my illustrations.
DI: What has been your main focus in designing this work? Especially what did you want to achieve?
AN : What I wanted to achieve most was to express the tragic feeling of the main character.
This scene is often depicted in ukiyo-e, but I wanted to depict a more realistic figure than just posing on the roof.
I think the idea of climbing up the roof with bloody hands while holding a sword in your mouth worked.
DI: What are your future plans for this award winning design?
AN : I would be very happy if it leads to work related to Japanese classical literature.
DI: How long did it take you to design this particular concept?
AN : I made it as a private project in between work, so I don't remember exactly, but I think it probably took about 20 hours.
DI: Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?
AN : There are many scenes in Nanso Satomi Hakkenden that I would like to draw, and I have tried many times since I was a child.
This work is one of them.
DI: Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself?
AN : This illustration was created as a private work, but if there is an offer to use this illustration in a product, I am ready to discuss it.
DI: Where there any other designs and/or designers that helped the influence the design of your work?
AN : As you might expect, I respect Alphonse Mucha. I also love other illustrators from the era, such as Arthur Rackham. I also have great respect for the ukiyo-e artist Yoshitoshi Tsukioka.
I owe my illustration style to these great creators.
DI: What sets this design apart from other similar or resembling concepts?
AN : It is a harmonious blend of traditional Japanese culture and European design elements.
The clear outlines reminiscent of ukiyo-e and the taste of old Western picture books make my work very unique.
DI: How did you come up with the name for this design? What does it mean?
AN : The title of the work, “Horyukaku” is the name of the building the main character is climbing, and is also used in the title of Kabuki and Ukiyo-e.
DI: Which design tools did you use when you were working on this project?
AN : I use Photoshop to color the hand-drawn line drawings on paper.
I think there are few people who draw illustrations in the same style.
I've been using Photoshop for over 20 years, but I only use the basic functions.
DI: What are some of the challenges you faced during the design/realization of your concept?
AN : Actually, the roof tiles were the most difficult to draw.
Because I had a hard time finding detailed photos.
DI: What did you learn or how did you improve yourself during the designing of this work?
AN : This work is very inspired by the labels of products exported from Japan to Europe during the Meiji and Taisho eras.
They depict traditional Japanese motifs using cutting-edge European design at the time, and there are many outstanding Japanese-Western designs.
So, I looked at a lot of materials and came up with ideas for the design.