DI: What is the main principle, idea and inspiration behind your design?
NK : The primary inspiration for Pardis Khaneh comes from Persian gardens, particularly Baghe Takht in Shiraz, which embodies the essence of a vertical garden. This concept aligns with the project's unique location between two public gardens, making the building a connective vertical garden that bridges nature with architecture. The dynamic wooden surfaces reflect the organic growth of cedar leaves, metaphorically symbolizing resilience and tradition. This design integrates historical elements while addressing modern urban needs.
DI: What has been your main focus in designing this work? Especially what did you want to achieve?
NK : The focus was to create a residence that revives the essence of Persian architectural heritage while maintaining a modern aesthetic. By blending space psychology with functional design, the aim was to offer residents a sanctuary that harmonizes with nature and reflects their cultural roots. Reinterpreting the hanging gardens in a contemporary style, the project establishes an emotional connection between the user, architecture, and the surrounding environment.
DI: What are your future plans for this award winning design?
NK : As the building has already been sold, future plans for this specific design lie in the hands of the new owners. However, the recognition this project has received strengthens the studio's commitment to promoting Iranian architectural identity in future projects. We envision continuing to explore similar principles in upcoming designs to merge tradition with innovation.
DI: How long did it take you to design this particular concept?
NK : The design phase for Pardis Khaneh was completed within 6–7 months. This timeline included extensive research into historical Iranian gardens and developing innovative features like the movable wooden panels.
DI: Why did you design this particular concept? Was this design commissioned or did you decide to pursuit an inspiration?
NK : The design was commissioned by a client who sought a unique architectural solution for their residential building. The concept was shaped by the site’s contextual needs and a desire to create a landmark design rooted in Iranian culture.
DI: Is your design being produced or used by another company, or do you plan to sell or lease the production rights or do you intent to produce your work yourself?
NK : No, the building has been sold, and there are no current plans to reproduce the design. However, its unique elements might inspire future projects.
DI: What made you design this particular type of work?
NK : The project presented an opportunity to revive the spirit of Persian gardens in a modern architectural framework. This blend of tradition and innovation offered a creative challenge that aligns with our studio’s philosophy of merging Iranian identity with contemporary needs.
DI: Where there any other designs and/or designers that helped the influence the design of your work?
NK : Persian miniature paintings played a significant role in shaping the aesthetic and functional aspects of the design. These artworks offered a symbolic and detailed representation of paradise, which was adapted into the project's terraces, courtyards, and facade.
DI: Who is the target customer for his design?
NK : The target customers are individuals or families seeking a modern residential experience that remains deeply connected to Iranian cultural heritage. The design appeals to those who value a balance between tradition and innovation.
DI: What sets this design apart from other similar or resembling concepts?
NK : forgotten Iranian architecture concealing the identity of the region, The identity which must be introduced in modern form today. Traditional Architectural elements are not seen in this building and even the used materials are not similar to their traditional patterns. But the applied simplicity and harmony in its architecture and modernized traditional construction causes the resident finds himself in a modern house but with traditional feelings and atmosphere. Pardis Khaneh stands out due to its unique approach to integrating Iranian architectural identity without replicating traditional patterns. Instead of using overtly traditional elements, the design employs simplicity and harmony to evoke a sense of cultural familiarity in a modern setting. Features like the cedar-planted facade, dynamic wooden lattice, and multi-level green spaces create a soothing, responsive living environment that is both aesthetically and climatically adaptive.
DI: How did you come up with the name for this design? What does it mean?
NK : "Pardis" means "green garden" and symbolizes paradise in ancient Persian. Combined with "Khaneh," which means "house," the name reflects the project's essence: a modern sanctuary infused with the spirit of a Persian garden.
DI: Which design tools did you use when you were working on this project?
NK : The project utilized a combination of hand sketches and digital tools, including 3ds Max, Revit, Lumion, and AutoCAD, for modeling, visualization, and precise detailing.
DI: What is the most unique aspect of your design?
NK : The integration of cedar trees on the facade is a standout feature, along with the movable wooden lattice panels that allow users to adjust privacy and light. These elements interact with sunlight to create dynamic visuals while maintaining a connection to traditional Iranian architecture. Also climatically responsive building.
DI: Who did you collaborate with for this design? Did you work with people with technical / specialized skills?
NK : Collaboration with specialists in structural engineering, landscape design, and material fabrication was essential to achieving the technical and aesthetic goals of the project.
DI: What is the role of technology in this particular design?
NK : The main facade is consisting of three main materials: thermos wood for window shading devise, turquoise Stone facing for the main facade and exposed concrete as a Complementary Neutral material used in entrance, The detail of wood panels is originally designed and all the wooden frames were cut and bolted under the supervision of the design team in the place. each panel has a steel frame covered by wooden finishing. Which not only can move linearly in rails but also can have hinge rotation. As mentioned the occupants are free to move and rotate the panels which make it an interactive, flexible, dynamic facade. Technology played a pivotal role, especially in fabricating the wooden lattice panels and their hinge rotation system. Advanced structural analysis ensured the panels were durable and functional, while modern irrigation systems supported the vertical gardens.
DI: Is your design influenced by data or analytical research in any way? What kind of research did you conduct for making this design?
NK : Yes, the design is informed by historical research into Persian gardens and their representation in miniatures, as well as modern studies on urban connectivity and environmental performance. The design team has so despite the study of historical aspects of Iranian garden architecture, also analyzed Persian garden in Iranian miniature paintings. In many cases, the gardens in miniature were mostly applied to illustrate the paradise on earth and that is why the word Pardis derives from paradise.So pardis khane is a type of residential building that is designed for the modern lifestyle, but it is conscious of Iranian identity.
DI: What are some of the challenges you faced during the design/realization of your concept?
NK : The biggest challenge was ensuring that the architectural identity resonated with Iranian heritage while meeting contemporary living standards. Balancing aesthetics, functionality, and environmental performance required extensive experimentation and collaboration.
DI: How did you decide to submit your design to an international design competition?
NK : I had participated in A design competition before and I find it a well organized competition .So it is a good experience to participate here every time.
DI: What did you learn or how did you improve yourself during the designing of this work?
NK : The project deepened our understanding of integrating cultural motifs into modern designs and highlighted the importance of technical innovation in bringing traditional concepts to life. It reinforced the studio's ability to address complex urban challenges creatively.
DI: Any other things you would like to cover that have not been covered in these questions?
NK : Pardis Khaneh represents not just a building but a philosophy of reconciling heritage with modernity. It sets a precedent for future projects in Tehran and beyond, showing how architecture can serve as a bridge between the past and the future. This project has also inspired us to continue exploring the integration of cultural identity with innovative design approaches.